Bei Mir Bist Du Schon (To Me You’re Beautiful) is a popular Yiddish song from 1932 written by Jacob Jacobs (lyricist) and Sholom Secunda (composer)  and was Barbette Records’ first release of 2022. Deanne Matley’s traditional, swinging version was released on Friday, January 7, 2022, and it also landed the Spotify Playlist “Vocal Jazz.”

Initially written for a Yiddish language comedy musical, I Would If I Could (Men Ken Lebn Nor Men Lost Nisht), the song became a worldwide hit in 1937 when recorded by The Andrews Sisters with English lyrics written by Sammy Cahn and Saul Chaplin. Since then, the song has been covered by Great Artists such as Ella Fitzgerald,  Rudy Vallée, Tommy Dorsey, June Christy and many more.

Deanne’s original Bei Mir Bist Du Schon arrangement was recorded off the floor at The King Eddy in Calgary, AB by Dave Horrocks with Jon Day on piano, Jeremy Coates on upright bass, Tyler Hornby on drums, and Cedric Blary on clarinet.

Check out the live version here on youtube

Or check it out here on the website

Barbette Records est ravi d’annoncer sa première sortie en 2022. Le prochain single de Deanne Matley, sorti le vendredi 7 janvier 2022, “Bei Mir Bist Du Schön” est une chanson yiddish populaire de 1932 écrite par Jacob Jacobs (parolier) et Sholom Secunda (compositeur)

Initialement écrite pour une comédie musicale en langue yiddish, Men Ken Lebn Nor Men Lost Nisht, la chanson est devenue un succès mondial en 1937 lorsqu’elle a été enregistrée par The Andrews Sisters avec des paroles en anglais écrites par Sammy Cahn et Saul Chaplin. Depuis, la chanson a été reprise par de grands artistes tels que Ella Fitzgerald, Rudy Vallée, Tommy Dorsey, June Christy et bien d’autres.

L’arrangement original de Deanne a été enregistré au King Eddy à Calgary, AB par Dave Horrocks avec Jon Day au piano, Jeremy Coates à la contrebasse, Tyler Hornby à la batterie et Cedric Blary à la clarinette.

“Electric Love” was Barbette Records’ fifth release of 2021.  Deanne Matley’s version was released Friday, August 13, 2021, “Electric Love” is a Jazz/Pop Cover initially written and performed by the group called Børns in 2014.

Originally an upbeat shuffle, Deanne partnered up with her good friend and fellow Montreal musician David Ryshpan and created an original “ballad” arrangement of the song. Over the past few months, Deanne has been working on it with her vocal coach Jennifer Meade helping her dig deeper into her essence as a vocalist. When asked multiple times why she didn’t change the pronoun from “she” to “he” while recording the song, her response was, “Because the reality is, it doesn’t matter, what matters is the message the lyrics are conveying, and that is one of deep connection, whatever the pronoun may be.” This cover is emotional, raw, and sure to captivate its listeners’ hearts.

The song was recorded at Boutique de Son in Montreal, QC by legend George Doxas with David Ryshpan on piano, Morgan Moore on upright bass, and Richard Irwin on drums.

Listen to it on Youtube here

Check out more music on the website

Golden Earrings was Barbette Records third release of 2021. Deanne Matley’s version released Friday, June 25, 2021, “Golden Earrings” is a classic tune from 1947 written by Victor Young (music) and Ray Evans/Jay Livingston (lyrics).  It also landed two Spotify Playlists.

Initially performed by Murvyn Vye in the 1947 romantic spy film of the same name, “Golden Earrings” tells the story of the jewelry’s mystical qualities. This haunting Gypsy Jazz song claims that if you wear golden earrings, love will come to you. The song has been covered by Great Artists such as Peggy Lee (who scored a hit in 1947), Bobby Darin (1964) and even Willie Nelson (1983).

Watch the official video on Youtube

Listen to more music here on the website

Montreal legend George Doxas recorded Deanne’s original arrangement at Boutique de Son, Montreal, QC with Andrea Petrity on piano, Adrian Vedady on upright bass, and Jim Doxas on drums. With a hint of “Radar Love,” this tune is seductive, swings hard, and is sure to cast a spell of desire on its listeners.

As performing has been put on hold, Deanne is grateful to have had the opportunity, between lockdowns, to get in the studio and collectively create with her fellow musicians, masks and all.

Barbette Records est ravi d’annoncer sa troisième sortie en 2021. Le prochain single de Deanne Matley, qui sortira le vendredi 25 juin 2021, « Golden Earrings » est un classique de 1947 écrit par Victor Young (musique) et Ray Evans/Jay Livingston (paroles).

Initialement interprété par Murvyn Vye dans le film d’espionnage romantique du même nom de 1947, “Golden Earrings” raconte l’histoire des qualités mystiques des bijoux. Cette chanson envoûtante de Gypsy Jazz prétend que si vous portez des boucles d’oreilles en or, l’amour viendra à vous. La chanson a été reprise par de grands artistes tels que Peggy Lee (qui a enregistré un hit en 1947), Bobby Darin (1964) et même Willie Nelson (1983).

La légende montréalaise George Doxas a enregistré l’arrangement original de Deanne à la Boutique de Son, Montréal, QC avec Andrea Petrity au piano, Adrian Vedady à la contrebasse et Jim Doxas à la batterie. Avec un soupçon de « Radar Love », ce morceau est séduisant, beaucoup de swing et ne manquera pas de donner du désir a ses auditeurs.

La performance ayant été suspendue, Deanne est reconnaissante d’avoir eu l’occasion, entre les confinements, d’entrer en studio et de créer  la musique avec ses collègues musiciens.

Makin’ Whoopee was Barbette Records’ first release of 2021 from Deanne Matley and is a classic jazz/blues tune from 1928 written by Gus Kahn (lyrics) and Walter Donaldson (music).

Although originally referenced for celebrating a marriage, Makin’ Whoopee has become another term for Getting Freaky, Doing the Wild Thing, Dancing in the Sheets, and, yes, even Schnoodlypooping! It has been covered by many greats such as Ray Charles, Frank Sinatra, Ella Fitzgerald and of course, who can forget, Michelle Pfeiffer’s version in the film “The Fabulous Baker Boys. Montreal legend George Doxas recorded Deanne’s original arrangement at Boutique de Son, Montreal, QC with Taurey Butler on piano, Morgan Moore on upright bass, and Richard Irwin on drums. Smooth and sensual with a little bit of sparkle and an easy swing, this version may just encourage a little more “dirty dancing” in the kitchen.

The Roarin 20s of the past meets the Roarin’ 20s of today. As performing has been put on hold, Deanne is grateful to have had the opportunity, between lockdowns, to get in the studio and collectively create with her fellow musicians, masks and all.

Barbette Records’ première sortie en 2021 de Deanne Matley, est un classique jazz / blues de 1928 écrit par Gus Kahn (paroles) et Walter Donaldson (musique).

Bien que référencé à l’origine pour célébrer un mariage, Makin ‘Whoopee est devenu un autre terme pour les câlins et pauses coquines. Il a été couvert par de nombreux grands comme Ray Charles, Frank Sinatra, Ella Fitzgerald et bien sûr, qui peut oublier, la version de Michelle Pfeiffer dans le film “The Fabulous Baker Boys.La légende montréalaise George Doxas a enregistré l’arrangement original de Deanne à la Boutique de Son, Montréal, QC avec Taurey Butler au piano, Morgan Moore à la contrebasse et Richard Irwin à la batterie. Douce et sensuelle avec un peu d’éclat et un swing facile, cette version peut juste encourager un peu plus de “dirty dancing” dans la cuisine.

Les années 20 Roarin du passé rencontrent les années 20 Roarin d’aujourd’hui. La performance ayant été suspendue, Deanne est reconnaissante d’avoir eu l’occasion, entre les verrouillages, d’entrer en studio et de créer collectivement avec ses collègues musiciens, des masques et tout le reste

Don’t You Worry ‘Bout A Thing is a total kick-ass original version of a Stevie Wonder classic! Recorded in Montréal, this single features many of Montréal’s premier jazz talent including renowned guitarist Pierre Coté

CONTRIBUTORS

Deanne Matley – Vocals
Pierre Coté – Lead Guitar
Paul Shrofel – Piano
Steve Raegele – Rhythm Guitar
Adrian Vedady – Bass
Jim Doxas – Drums
Kiko – Percussion
Al McLean – Saxophone
Andy King – Trumpet
Jean-Nicolas Trottier – Trombone

PRODUCTION DETAILS

Produced by Jim Doxas

Recorded by George Doxas at Boutique de Son, Montréal, QC

Mixed by Jim & George Doxas

Mastered by Dave Horrocks at Infinite Wave, Calgary, AB

Musical Arrangements by Paul Shrofel & Deanne Matley

Photos by Kelley Matley

Graphic Design by Jai Benteau

“Deanne is what the world is waiting for.” – Ranee Lee, renowned Canadian jazz vocalist

Deanne Matley’s voice and passion for jazz have taken her from her Alberta home to New York, France, Mongolia, and back. She sings standards, her own songs, and an impressive variety of covers with combos large and small, including Calgary’s Prime Time Big Band. Her previous four albums, with songs ranging from jazz standards to pop covers and Christmas favourites, have garnered her Top 10 radio play across Canada and fans around the world. She divides her time between Calgary and Montréal, and is excited that Because I Loved will be launching in both cities.

Canadian jazz vocalist Deanne Matley’s fifth album, Because I Loved, is a tour-de-force, taking the listener on an emotional journey from despair to quiet contentment, with stops at red-hot passion and the excitement of new love along the way. Deanne recruited some of Montréal’s premier jazz talent for the project, including drummer Jim Doxas (who also produced the album), pianist Paul Shrofel, bassist Adrian Vedady, and guest vocalist Ranee Lee.

Because I Loved features four new tunes of Deanne’s to round out a songlist that includes saxophone legend Stanley Turrentine’s “Sugar,” the haunting “Forget Me”(written for the great Shirley Horn), and remarkable covers of songs by Journey (“Open Arms”) and Drew Holcomb & The Neighbors (“The Wine We Drink”).

Throughout, Deanne shines as a first-rate vocal stylist, deeply rooted in the jazz tradition but unafraid of pushing the envelope. Her seen-it-all authority permeates every cut. “This is an album about love, melancholy, and starting again … about relationships,” says Deanne. “It’s the album I’ve always dreamed of making,” www.becauseiloved.com

CONTRIBUTORS

Deanne Matley – Vocals/Voix
Ranee Lee – Guest Vocals/Chanteuse Invitée
Paul Shrofel – Piano & Keyboards/Piano & Claviers
Adrian Vedady – Bass/Contrebasse
Jim Doxas – Drums/Batterie
Steve Raegele – Guitar/Guitare
Kiko – Percussion
Al McLean – Saxophone
Andy King – Trumpet/Trompette
Jean-Nicolas Trottier – Trombone
Kate Bevan-Baker – Violin/Violon
Kate Maloney – Violin/Violon
Jennifer Thiessen – Viola/Alto
Thomas Beard – Cello/Violoncelle

PRODUCTION DETAILS

• Produced by Jim Doxas
• Co-Produced and A&R by Jean-Pierre Leduc
• Recorded by George Doxas at Boutique de Son, Montréal, QC
• Mixed by Jim & George Doxas
• Mastered by Guy Hebert at Karisma Mastering, Montréal, QC
• Musical Arrangements by Paul Shrofel & Deanne Matley
• Photos by Kelley Matley
• Graphic Design by Jai Benteau

Calgary Vocalist Deanne Matley and Los Angeles guitarist Larry Koonse proudly announce the release of their debut CD, “Can’t Help Falling”, a Jazz album containing original arrangements of classic jazz standards in an intimate vocal/guitar duo setting. “Can’t Help Falling” is a direct expression of their deep connection and the respect they have for each other as musicians.

Influenced by giant jazz duo Ella Fitzgerald and Joe Pass, Deanne and Larry captivate with this beautiful collection of jazz standards. Deanne’s sensual voice is stripped naked, with only the translucent veil of Larry’s haunting guitar for cover. They play harmoniously, changing balance, transforming into each other then separating. Like yin and yang they move back and forth and then together again, cascading into a pure and simple musical delight.

From the gut wrenching “That Lucky Old Sun” to the smoky, soulful “Autumn Leaves,” this may be Matley’s best recording to date. “A voice like no other”, says Koonse, adding, “Deanne Matley has it all, unerring pitch, great timing, beautiful phrasing, and perhaps most importantly, an ability to wrap herself inside a lyric and deliver a compelling story. She is a world class artist that is destined for great things.”

“This album was created on a whim…kismet” says Matley. Born and raised in Calgary, Deanne Matley is a staple on the Calgary jazz and blues circuit. As the vocalist for one of the top Big Bands in Canada, she is in high demand allowing her to perform regularly year round. This is her fourth album.

Larry Koonse is a modern master of the jazz guitar. From being the first recipient of the USC Bachelor of Music in Jazz Studies to multiple Grammy nominations, he has toured and recorded extensively with Mel Torme, Billy Childs, John Patitucci, Luciana Souza, Rod Stewart, Linda Ronstadt, Cleo Laine, Natalie Cole and many others. His solo guitar work was featured in “Crazy”, a film about the great guitarist Hank Garland.

Has a groove based jazz feel guaranteed to leave the audience feeling inspired. This recording contains songs from different styles, ranging from John Fogerty’s “Proud Mary” to the 1950s standard “Blue Moon”. A special guest on the recording is trombonist Oscar Utterström, who currently resides in Nashville. This EP reached Top 10 Jazz albums on CJSW! and is reaching listeners all over the world.

Deanne’s debut CD, Stealin’ Blue, is a tasteful mix of Jazz, and Pop favorites performed live in an intimate vocal/piano duo setting.

Deanne, a native Calgarian, has captured the essence of her riveting performances on this album which features twelve distinctive tracks. Known for her emotional, sultry delivery and a pure tone that envelopes the listener in a warm embrace, Deanne’s sensibilities lie in her simple yet elegant style. Her approach is straight from the heart, a heart that is warm, vulnerable and genuine. Artists such as Frank Sinatra, Sue Raney, Coldplay, Hawksley Workman, Rufus Wainwright, Bette Midler and many others act as influences.

The powerful energy and immediacy she receives from performing before a live audience fuels her drive as a musician. Her debut album is that much more bold, electric with feeling, and honest because of her choice to record Stealin’ Blue live. Stealin’ Blue is an invitation to a quiet moment of magic.

“I opted for songs with melodies that challenged my emotional boundaries and pushed me to explore the soul.” A quote from Deanne describing the musical mix on the album infused with Jazz, Torch, Blues, Pop and Gospel styles.

There are many standout tracks on this recording, one of which is “My Funny Valentine”. It is given an almost intensely cinematic reading. Deanne starts off with a blank vocal tone that has rather intense overtones for the verse. At the chorus, a more suave, sophisticated voice is heard as a counterpoint to the opening character. The piano solo serves as a bridge, a resting place between this vocal conversation. The song ends; a screaming whisper.

Another is the Cyndi Lauper ballad “True Colors”. Drawing on his extensive classical and jazz training, this version starts with an extended piano solo inspired by many musical influences. Deanne’s interpretation of the melody is vulnerable, passionate and real; emphasizing the song’s message of living authentically. The song’s unique ending has become a trademark part of this duo’s repertoire.

Stealin’ Blue is an album of ballads. It is for lovers. It is for intimate moments. It is for listening.